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Team Members: ANTABUSE FOR SALE, JooYoun Paek, David Jimison | Engineers: Daniel Bauen, Aaron Gilbert, Bill Washabaugh

[caption id="attachment_60" align="alignnone" width="465" caption="Too Smart Bench"]Too Smart Bench[/caption]

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[caption id="attachment_62" align="alignnone" width="465" caption="Too Smart Sign"]Too Smart Sign[/caption]

For more information, visit toosmartcity.blogspot.com

Toward the Sentient City: Too Smart City from Urban Omnibus on Vimeo.

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CLOMID FOR SALE, "When it is raining in Oxford Street the architecture is no more important than the rain, in fact the weather has probably more to do with the pulsation of the Living City at that given moment." - Peter Cook

One could argue that this provocation by Peter Cook, published in 1963 in the catalogue for the Living City exhibition at the Institute for Contemporary Art, London [1], remains remarkably relevant for anyone interested in the design and inhabitation of the contemporary city. In place of natural weather systems, however, CLOMID reviews, today we find the dataclouds of 21st century urban space increasingly shaping our experience of this city and the choices we make there. To what degree are these informatic weather systems becoming as important, if not more so, than the formal organization of space and material, buy cheap CLOMID.

Since the late 1980s, computer scientists and engineers have been researching ways of embedding computational ‘intelligence’ into the built environment. CLOMID online cod, Looking beyond the paradigm of personal computing, which placed the computer in the foreground of our attention, research in ubiquitous computing projected a world where computers would disappear into the background, displaced to the periphery of our awareness, CLOMID price. Enabled by tiny, inexpensive microprocessors and low-power wireless sensor networks, information processing was to become ambient, CLOMID FOR SALE. No longer solely “virtual,” human interaction with and through computers in this near-future world would be more socially integrated and spatially contingent as everyday objects and spaces became linked through networked computing. CLOMID without a prescription, Today, as computing leaves the desktop and spills out onto the sidewalks, streets and public spaces of the city, we increasingly find information processing capacity embedded within and distributed throughout the material fabric of everyday urban space, CLOMID from canadian pharmacy. Artifacts and systems we interact with daily collect, store and process information about us, CLOMID mg, or are activated by our movements and transactions. Ubiquitous computing evangelists herald a coming age of urban infrastructure capable of sensing and responding to the events and activities transpiring around them. CLOMID FOR SALE, Imbued with the capacity to remember, correlate and anticipate, this near-future “sentient” [2] city is envisioned as being capable of reflexively monitoring its environment and our behavior within it, becoming an active agent in the organization of everyday life in urban public space.

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Despite the obvious implications for the built environment, architects have been largely absent from this discussion, order CLOMID no prescription. Forty years ago Reyner Banham illustrated an architecture of the ‘well-tempered environment’ [3] , where the conditioning of space and its attendant technologies were literally drawn out of the woodwork, CLOMID FOR SALE. Yet while advances in the design of building management systems (BMS) since then have enabled greater environmental responsiveness at the scale of a building, relatively little attention has been paid to the space between and beyond buildings – the sidewalks, CLOMID duration, streets, infrastructures and urban public spaces that give form to urban life. If one accepts that the various ways we interact with (and through) these embedded, mobile and pervasive technologies can shape our experience of the city and the choices we make there, CLOMID alternatives, then the role of architects in shaping these technologies becomes apparent. Architects are trained to shape our constructed environment, Online CLOMID without a prescription, and are skilled in orchestrating complex relationships between space, material, technologies, and various modes of habitation and use, buying CLOMID online over the counter.

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The projects in Toward the Sentient City explore alternate trajectories for the design and inhabitation of this near-future urban environment, CLOMID maximum dosage. Building on a discourse initiated by the Architecture and Situated Technologies symposium in the fall of 2006 that I organized together with Omar Khan and Trebor Scholz, and extended through the Situated Technologies Pamphlets Series that we continue to edit, Herbal CLOMID, this exhibition attempts to manifest some of the more abstract concepts that have evolved out of a series of conversations between researchers, writers and other practitioners of architecture, art, philosophy of technology, generic CLOMID, comparative media study, performance studies, CLOMID gel, ointment, cream, pill, spray, continuous-release, extended-release, and engineering. Aiming to broaden the purview of architecture and urban design, the projects presented here pose new sites of practice and working methods for an expanded field.

Too Smart City, by David Jimison and Joo Yoon Paek, posits a set of “intelligent” street furniture that behaves in unexpected ways, each embedded with computing and robotic systems to augment their respective roles in public space, CLOMID FOR SALE. We generally assume our machines will treat us benignly, CLOMID class, or at least with calculated indifference. Jimison and Paek give voice and character to these common urban objects and ask us to consider what design criteria we need for our future interactions with smart artifacts deployed by municipal agencies. CLOMID dose, Submerging the Sentient City under water, David Benjamin and Soo-in Yang in collaboration with Natalie Jeremijenko present Amphibious Architecture, a public interface to water quality and aquatic life of urban rivers, and our interest therein, buy CLOMID online cod. Two networks of floating interactive tubes, installed at sites in the East River and the Bronx River, CLOMID from mexico, house a range of sensors below water and an array of lights above water. CLOMID FOR SALE, What new interaction partners for environmental governance might ubiquitous computing enable. The project encourages us to expand our view of what constitutes the city and its citizens, aiming to spark public interest in and discussion about shared urban ecologies.

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Projecting a future scenario where ubiquitous technologies help make 100% recycling a reality, CLOMID pics, Trash Track, by the SENSEable City Lab at MIT, deploys a set of smart tags on different types of trash and follows these through the city’s waste management system to reveal the end-of-life journey of our everyday objects. The project examines what kind of agency objects might gain once given the ability to self-report their end of life-cycle conditions, cheap CLOMID no rx. Asking what happens when our waste is no longer “out of sight, out of mind, CLOMID wiki, ” the project makes visible the invisible infrastructures of trash removal, promoting a bottom-up approach to managing resources and promoting behavioral change.

Breakout!, by Anthony Townsend and the Breakout, CLOMID steet value. CLOMID FOR SALE, team, is a festival of work in the city that explores the dynamic possibilities of a single question: what if the entire city was your office. Breakout. provides alternative venues for collaborative work outside of traditional office buildings by injecting lightweight versions of essential office infrastructure into urban public space and coordinating impromptu meetups through social networking software. CLOMID pharmacy, Countering the idea that mobile and networked technologies contribute to the social atomization of public space, Breakout. works toward enabling specific socio-spatial practices as a means to reinvigorate public space and stimulate collaborative work interactions.

Focused more on raising questions than posing answers, Toward the Sentient City is less concerned with projecting near-future urban conditions than providing concrete examples in the present around which to organize a public discussion about just what kind of future we might want, CLOMID FOR SALE. At a time where environmental concerns are paramount in the minds of many, real brand CLOMID online, what new interaction partners for environmental governance might we identify. What different approaches might we take toward working with (and within) urban ecosystems assembled by both human and non-human actors. CLOMID natural, If our infrastructure is to become capable of not just sensing the conditions within which it is operating but also perceiving something about those conditions, how do we make sure it cares about the way it responds. When urban artifacts, such as articles of trash, get CLOMID, are imbued with the capacity to self-report their current location, condition and status, Purchase CLOMID, how will we view their new-found authority. CLOMID FOR SALE, How will we reconcile the inevitable conflicts in reporting between these artifacts and, say, those of a municipal agency. Finally, if the meaning of urban public spaces is as much a product of their spatial and material arrangement as it is of the conditions of their use, what new types of activity can be enabled in these spaces, and toward what ends.

Ultimately, Toward the Sentient City argues against a techno-determinism that cedes overwhelming agency to new technologies and either champions or laments their projected impact on urban life. Rather, the exhibition examines the relationship between ubiquitous computing, architecture and the city in terms of the active role its citizens might play – or neglect to play – as both designers and inhabitants, in the unfolding techno-social situations of near-future urban environments.

Mark Shepard, Curator
Assistant Professor of Architecture and Media Study, University at Buffalo


[1] Cook, Peter. “Living City”, Living Arts Magazine, no, CLOMID FOR SALE. 2, London: Institute for Contemporary Art, 1963.

[2] Here it is important to distinguish between “sentience” (from latin root sentire: to feel) and “sapience” (from sapere: to know). Sentience refers to the ability to feel or perceive subjectively, and does not necessarily include the faculty of self-awareness. The word sentient is often confused with the word sapient, which can connote knowledge, consciousness, or apperception.

[3] Banham, Reyner. The Architecture of the Well-Tempered Environment. Chicago: University of Chicago Press, 1969.

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About the Exhibition

Toward the Sentient City is curated by Mark Shepard and organized by the Architectural League of New York.

Design schema: Thumb

Project Director: Gregory Wessner, Exhibitions Director, Architectural League of New York
Project Assistant: Sarah Snider

Web Developer: Nicholas Bruscia

The exhibition is made possible with support from the J. Clawson Mills Fund of the Architectural League and the Graham Foundation for Advanced Studies in the Fine Arts.

Additional support is provided by the Department of Architecture, School of Architecture and Planning, and the Department of Media Study, College of Arts and Sciences at the University at Buffalo.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.

Visitor Information

Sentient City Hub Exhibition
The Urban Center
457 Madison Avenue
New York City

Gallery hours:
Monday–Saturday (closed Thursday)
11 a.m. — 5 p.m.
Free admission

Event Tickets
Unless otherwise noted, tickets are free for Architectural League members, $10 for non-members.

League members may reserve a ticket for any of the above programs by e-mailing rsvp@archleague.org. Because many programs sell out, members are advised to reserve tickets in advance. Non-members may purchase non-refundable tickets seven days before the program date. Tickets may be purchased at www.archleague.org.

Dates and locations subject to change.

About the Architectural League

The mission of the Architectural League is to advance the art of architecture.

The League carries out its mission by promoting excellence and innovation, and by fostering community and discussion in an independent forum for creative and intellectual work in architecture, urbanism, and related disciplines. We present the work and ideas of the world's most interesting and influential architects and designers to New York, national and international audiences, through lectures, exhibitions, publications, and the worldwide web. We identify and encourage talented young architects, through competitions, grants, exhibitions, and publications. And we help shape the future of our built environment by stimulating debate and provoking design thinking about the critical issues of our time.

The Architectural League of New York
594 Broadway, Suite 607
New York, NY 10012
www.archleague.org
info@archleague.org
212 753 1722

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