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[caption id="attachment_580" align="alignnone" width="465" caption="Network of floating tubes at Pier 35 in the East River."]Network of floating tubes at Pier 35 in the East River.[/caption]

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[caption id="attachment_28" align="alignnone" width="465" caption="Calibrating the lighting."]Calibrating the lighting.[/caption]

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Toward the Sentient City: Amphibious Architecture from Urban Omnibus on Vimeo.

Additional team members:
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Kevin Wei
Deborah Richards
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Zenon Tech-Czarny
Abha Kataria
Amelia Black
Cathy Jones
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[caption id="attachment_322" align="alignnone" width="465" caption="System Diagram"]System Diagram[/caption]

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Project Partner:

Waste Management, Inc.

[caption id="attachment_34" align="alignnone" width="465" caption="Trash awaiting removal."]Trash awaiting removal.[/caption]

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Imagine a future where immense amounts of trash didn’t pile up on the peripheries of our cities: a future where we understand the ‘removal-chain’ as we do the ‘supply-chain’, and where we can use this knowledge to not only build more efficient and sustainable infrastructures but to promote behavioral change. Low dose AMPICILLIN, In this future city, the invisible infrastructures of trash removal will become visible and the final journey of our trash will no longer be “out of sight, out of mind”.

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[caption id="attachment_35" align="alignnone" width="465" caption="Custom designed radio transmitting tag used for real time locationing of trash objects for the TrashTrack project."]Custom designed radio transmitting tag used for real time locationing of trash objects for the TrashTrack project.[/caption]

[caption id="attachment_36" align="alignnone" width="465" caption="Tagged coffee cup deployed in a Seattle trash bin."]Tagged coffee cup deployed in a Seattle trash bin.[/caption]

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[caption id="attachment_38" align="alignnone" width="465" caption="Diagram indicating how TrashTrack works. Wireless tags are attached to objects that are then discarded. As the objects move through the waste removal chain, the tag transmits its location to servers at MIT through short message communication, BUY AMPICILLIN NO PRESCRIPTION. AMPICILLIN wiki, There, the data is processed to drive visualization software so as to represent the trash movements online and also by way of projected images in the exhibition."]Diagram indicating how TrashTrack works. Wireless tags are attached to objects that are then discarded. As the objects move through the waste removal chain, <b>AMPICILLIN recreational</b>, the tag transmits its location to servers at MIT through short message communication. There, <b>AMPICILLIN no rx</b>, the data is processed to drive visualization software so as to represent the trash movements online and also by way of projected images in the exhibition.[/caption]

For more information, visit senseable.mit.edu/trashtrack

Toward the Sentient City: Trash Track from Urban Omnibus on Vimeo.

Bios:

An architect and engineer, Prof. BUY AMPICILLIN NO PRESCRIPTION, Carlo Ratti practices architecture in Turin and teaches at MIT, where he directs the SENSEable City Laboratory, a new research initiative within the Department of Urban Studies and Planning. Carlo’s work has been exhibited in leading museums worldwide, order AMPICILLIN from mexican pharmacy, including the Kunsthaus Graz (2005), Venice Biennale (2004, AMPICILLIN no prescription, 2006 and 2008), MoMA (2008), and Design Museum Barcelona (2009). Carlo has co-authored over 100 scientific publications and holds several patents, AMPICILLIN photos. His Digital Water Pavilion at the World Expo 2008 was hailed by TIME Magazine as one of the ‘Best Inventions of the Year’; in December 2008 he was included in Esquire Magazine’s ‘Best & Brightest’ list.  Carlo graduated with an MSc in civil structural engineering from both the Politecnico di Torino, Italy and the Ecole Nationale des Ponts et Chaussées in Paris, No prescription AMPICILLIN online, France. He later received an MPhil and a PhD in Architecture from the University of Cambridge, UK.

Assaf Biderman, Co-Leader Trash Track Project, Associate Director SENSEable City Lab, MIT, is teaching at the Massachusetts Institute of Technology where he is the Associate Director of the SENSEable City Laboratory, BUY AMPICILLIN NO PRESCRIPTION. Biderman has background in physics and human-computer interaction, AMPICILLIN images. He focuses on working in partnership with city administrations and industry members worldwide to explore how miniaturized and distributed technologies can be used to create more sustainable future of living in cities.

Rex Britter is the Emeritus Professor of Environmental Fluid Dynamics in the Department of Engineering at the University of Cambridge, AMPICILLIN blogs, UK and a Visiting Scientist at the SENSEable City Laboratory, Department of Urban Studies and Planning, MIT, Boston US, AMPICILLIN forum. His research interests include fundamental studies into turbulent fluid dynamics, particularly those involving buoyancy. BUY AMPICILLIN NO PRESCRIPTION, This is paralleled with operational interests in the flow and dispersion of hazardous materials, conventional pollutant dispersion problems in complex geometries such as cities, formalised model evaluation procedures, urban air quality, sustainable energy use in cities and security issues. AMPICILLIN natural, He has published 5 books and some 300 articles in journals and conference proceedings.

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Lewis Girod is a Research Scientist at the MIT Computer Science and Artificial Intelligence Laboratory, AMPICILLIN results. He has been working in the area of wireless and embedded networked sensing since 1998, BUY AMPICILLIN NO PRESCRIPTION. He joined CSAIL in 2006 after completing his PhD at UCLA in the Center for Embedded Networked Sensing. He has numerous academic publications in wireless sensor networks and broad experience implementing vertical networked sensing applications in academia and industry. What is AMPICILLIN, He also holds a BS in Mathematics and and MEng in EECS from MIT.

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Jennifer Dunnam joined MIT's SENSEable City Lab in the Spring of 2009 and is currently working on the Copenhagen Wheel, AMPICILLIN without prescription, Trash Track and AUDI projects. Jennifer holds a BFA in Graphic Design and a BA in Sculpture from the University of Texas at Austin. In addition to her work at the SENSEable City Lab, Jennifer is pursuing her Master's degree in Architecture at MIT, where can i find AMPICILLIN online. Her research within the lab reflects an interest in digital environments and dynamic interfaces that facilitate real-time communication, BUY AMPICILLIN NO PRESCRIPTION. Before coming to MIT, Jennifer worked as a fabricator and product designer for a variety of artists including a blacksmith, Buying AMPICILLIN online over the counter, sculptor and ceramicist.

Avid Boustani is a graduate student in Mechanical Engineering and Sloan School of Management at MIT. He is a research scientist for MIT Energy Initiative. Avid has over 5-years of research experience, AMPICILLIN price, analyzing complex theoretical and computational issues in regards to addressing feasible solutions to energy and environmental crisis demands. BUY AMPICILLIN NO PRESCRIPTION, As an end-of-life expert, Avid has been assessing the energy and environmental impact of Trash Track sensors in the context of environmentally benign manufacturing, environmental policy frameworks, and green removal chains. Prior to Trash Track, AMPICILLIN online cod, Avid headed the industry outreach marketing for the 2009 MIT Energy Conference. At Trash Track, Avid is leading the strategic planning for grand-scale Trash Track deployment of tags in Seattle, New York City, buy AMPICILLIN without a prescription, and London. Avid has successfully launched two Internet startup ventures, and is the 2009 MIT $100K Business Plan Competition Life-Science track winner.

Funders/In-kind Contributors:

City of Seattle: Mayor's office of Arts and Cultural Affairs, Seattle Public Utilities, The Seattle Public Library.

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Despite the obvious implications for the built environment, architects have been largely absent from this discussion, order CLOMID no prescription. Forty years ago Reyner Banham illustrated an architecture of the ‘well-tempered environment’ [3] , where the conditioning of space and its attendant technologies were literally drawn out of the woodwork, CLOMID FOR SALE. Yet while advances in the design of building management systems (BMS) since then have enabled greater environmental responsiveness at the scale of a building, relatively little attention has been paid to the space between and beyond buildings – the sidewalks, CLOMID duration, streets, infrastructures and urban public spaces that give form to urban life. If one accepts that the various ways we interact with (and through) these embedded, mobile and pervasive technologies can shape our experience of the city and the choices we make there, CLOMID alternatives, then the role of architects in shaping these technologies becomes apparent. Architects are trained to shape our constructed environment, Online CLOMID without a prescription, and are skilled in orchestrating complex relationships between space, material, technologies, and various modes of habitation and use, buying CLOMID online over the counter.

To the extent that business interests and government agencies drive these technological developments, we can expect to see new forms of consumption, Buy CLOMID no prescription, surveillance and control emerge. CLOMID FOR SALE, Within architecture, the recent fascination with building envelopes wrapped with large-scale programmable “urban screens” or corporate lobbies outfitted with so-called “interactive architecture” highlights the dilemma. In an age of urban computing and ambient informatics, what opportunities for the design of urban artifacts and spaces lie beyond the architectural surface as confectionary spectacle or the interior vestibule as glorified automatic door opener.

The projects in Toward the Sentient City explore alternate trajectories for the design and inhabitation of this near-future urban environment, CLOMID maximum dosage. Building on a discourse initiated by the Architecture and Situated Technologies symposium in the fall of 2006 that I organized together with Omar Khan and Trebor Scholz, and extended through the Situated Technologies Pamphlets Series that we continue to edit, Herbal CLOMID, this exhibition attempts to manifest some of the more abstract concepts that have evolved out of a series of conversations between researchers, writers and other practitioners of architecture, art, philosophy of technology, generic CLOMID, comparative media study, performance studies, CLOMID gel, ointment, cream, pill, spray, continuous-release, extended-release, and engineering. Aiming to broaden the purview of architecture and urban design, the projects presented here pose new sites of practice and working methods for an expanded field.

Too Smart City, by David Jimison and Joo Yoon Paek, posits a set of “intelligent” street furniture that behaves in unexpected ways, each embedded with computing and robotic systems to augment their respective roles in public space, CLOMID FOR SALE. We generally assume our machines will treat us benignly, CLOMID class, or at least with calculated indifference. Jimison and Paek give voice and character to these common urban objects and ask us to consider what design criteria we need for our future interactions with smart artifacts deployed by municipal agencies. CLOMID dose, Submerging the Sentient City under water, David Benjamin and Soo-in Yang in collaboration with Natalie Jeremijenko present Amphibious Architecture, a public interface to water quality and aquatic life of urban rivers, and our interest therein, buy CLOMID online cod. Two networks of floating interactive tubes, installed at sites in the East River and the Bronx River, CLOMID from mexico, house a range of sensors below water and an array of lights above water. CLOMID FOR SALE, What new interaction partners for environmental governance might ubiquitous computing enable. The project encourages us to expand our view of what constitutes the city and its citizens, aiming to spark public interest in and discussion about shared urban ecologies.

Natural Fuse, japan, craiglist, ebay, overseas, paypal, by Haque Design+Research, is a city-wide network of electronically-assisted plants that act both as energy providers and as a shared ‘carbon sink’ resource. Buy CLOMID from canada, The project encourages collective cooperation in regulating energy consumption through a network of natural ‘circuit breakers’ distributed throughout the city. If people cooperate on energy use, the plants thrive (and everyone may use more energy); but if they don’t, the network starts to kill plants, ordering CLOMID online, thus diminishing the network’s electricity capacity. At a time when the enclosure of public amenities by private interests has become commonplace, Haque deploys a more horizontally distributed notion of ‘the commons’ prompting us to rethink our relationship to shared resources, CLOMID FOR SALE.

Projecting a future scenario where ubiquitous technologies help make 100% recycling a reality, CLOMID pics, Trash Track, by the SENSEable City Lab at MIT, deploys a set of smart tags on different types of trash and follows these through the city’s waste management system to reveal the end-of-life journey of our everyday objects. The project examines what kind of agency objects might gain once given the ability to self-report their end of life-cycle conditions, cheap CLOMID no rx. Asking what happens when our waste is no longer “out of sight, out of mind, CLOMID wiki, ” the project makes visible the invisible infrastructures of trash removal, promoting a bottom-up approach to managing resources and promoting behavioral change.

Breakout!, by Anthony Townsend and the Breakout, CLOMID steet value. CLOMID FOR SALE, team, is a festival of work in the city that explores the dynamic possibilities of a single question: what if the entire city was your office. Breakout. provides alternative venues for collaborative work outside of traditional office buildings by injecting lightweight versions of essential office infrastructure into urban public space and coordinating impromptu meetups through social networking software. CLOMID pharmacy, Countering the idea that mobile and networked technologies contribute to the social atomization of public space, Breakout. works toward enabling specific socio-spatial practices as a means to reinvigorate public space and stimulate collaborative work interactions.

Focused more on raising questions than posing answers, Toward the Sentient City is less concerned with projecting near-future urban conditions than providing concrete examples in the present around which to organize a public discussion about just what kind of future we might want, CLOMID FOR SALE. At a time where environmental concerns are paramount in the minds of many, real brand CLOMID online, what new interaction partners for environmental governance might we identify. What different approaches might we take toward working with (and within) urban ecosystems assembled by both human and non-human actors. CLOMID natural, If our infrastructure is to become capable of not just sensing the conditions within which it is operating but also perceiving something about those conditions, how do we make sure it cares about the way it responds. When urban artifacts, such as articles of trash, get CLOMID, are imbued with the capacity to self-report their current location, condition and status, Purchase CLOMID, how will we view their new-found authority. CLOMID FOR SALE, How will we reconcile the inevitable conflicts in reporting between these artifacts and, say, those of a municipal agency. Finally, if the meaning of urban public spaces is as much a product of their spatial and material arrangement as it is of the conditions of their use, what new types of activity can be enabled in these spaces, and toward what ends.

Ultimately, Toward the Sentient City argues against a techno-determinism that cedes overwhelming agency to new technologies and either champions or laments their projected impact on urban life. Rather, the exhibition examines the relationship between ubiquitous computing, architecture and the city in terms of the active role its citizens might play – or neglect to play – as both designers and inhabitants, in the unfolding techno-social situations of near-future urban environments.

Mark Shepard, Curator
Assistant Professor of Architecture and Media Study, University at Buffalo


[1] Cook, Peter. “Living City”, Living Arts Magazine, no, CLOMID FOR SALE. 2, London: Institute for Contemporary Art, 1963.

[2] Here it is important to distinguish between “sentience” (from latin root sentire: to feel) and “sapience” (from sapere: to know). Sentience refers to the ability to feel or perceive subjectively, and does not necessarily include the faculty of self-awareness. The word sentient is often confused with the word sapient, which can connote knowledge, consciousness, or apperception.

[3] Banham, Reyner. The Architecture of the Well-Tempered Environment. Chicago: University of Chicago Press, 1969.

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About the Exhibition

Toward the Sentient City is curated by Mark Shepard and organized by the Architectural League of New York.

Design schema: Thumb

Project Director: Gregory Wessner, Exhibitions Director, Architectural League of New York
Project Assistant: Sarah Snider

Web Developer: Nicholas Bruscia

The exhibition is made possible with support from the J. Clawson Mills Fund of the Architectural League and the Graham Foundation for Advanced Studies in the Fine Arts.

Additional support is provided by the Department of Architecture, School of Architecture and Planning, and the Department of Media Study, College of Arts and Sciences at the University at Buffalo.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.

Visitor Information

Sentient City Hub Exhibition
The Urban Center
457 Madison Avenue
New York City

Gallery hours:
Monday–Saturday (closed Thursday)
11 a.m. — 5 p.m.
Free admission

Event Tickets
Unless otherwise noted, tickets are free for Architectural League members, $10 for non-members.

League members may reserve a ticket for any of the above programs by e-mailing rsvp@archleague.org. Because many programs sell out, members are advised to reserve tickets in advance. Non-members may purchase non-refundable tickets seven days before the program date. Tickets may be purchased at www.archleague.org.

Dates and locations subject to change.

About the Architectural League

The mission of the Architectural League is to advance the art of architecture.

The League carries out its mission by promoting excellence and innovation, and by fostering community and discussion in an independent forum for creative and intellectual work in architecture, urbanism, and related disciplines. We present the work and ideas of the world's most interesting and influential architects and designers to New York, national and international audiences, through lectures, exhibitions, publications, and the worldwide web. We identify and encourage talented young architects, through competitions, grants, exhibitions, and publications. And we help shape the future of our built environment by stimulating debate and provoking design thinking about the critical issues of our time.

The Architectural League of New York
594 Broadway, Suite 607
New York, NY 10012
www.archleague.org
info@archleague.org
212 753 1722

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